Law & Humanities Blog


Law and Culture In Israel

Posted: 30 Nov 2010 07:42 AM PST

Zvi H. Triger, The College of Management Academic Studies (COMAS) School of Law, has published Law's Culture: Reflections on Menachem Mautner's Books on Law and Culture (Hebrew), at 32 Tel Aviv University Law Review 481 (2010). Here is the abstract.

This is a review essay on law and culture in Israel, which takes Menachem Mautner's two recently published books as its departure point for broad analysis of the tensions that characterize Israeli discourse on these issues.
Download the essay from SSRN at the link.

Defamation and Humor

Posted: 30 Nov 2010 07:40 AM PST

Laura E. Little, Temple University School of Law, is publishing Just a Joke: Defamatory Humor and Incongruity's Promise, in volume 21 of the Southern California Interdisciplinary Law Journal (2011).  Here is the abstract.
Humor often arises as a defense in defamation actions, with defendants claiming that their challenged communication was "just a joke." Given the long established tie between defamation and First Amendment doctrines, United States courts evaluate the defense in light of free speech protections as well as reputational interests incorporated in the elements of the defamation tort. In grappling with humor, courts usually invoke First Amendment doctrine's familiar distinction between fact and opinion. If a putative joke is sorted down the "opinion" chute, then the humorist faces no civil liability. If, on the other hand, the putative joke suggests false facts unfavorable to the plaintiff, the defendant may face liability. Useful as an analytical starting point, this fact/opinion dichotomy does not adequately integrate all the values and concerns that come into play where humor and defamation law collide.



Humor is complex, capable of both great good and enormous mischief. The challenge whether to provide legal protection for humorous communications implicates the same value clashes between freedom of expression and protection of reputational interests that appear in other defamation contexts. Yet humor's potential for individual and collective benefit (as well as its capacity to cut deep wounds) suggests that courts should tailor analysis specifically to humor's unique qualities. Happily, assistance comes from centuries of interdisciplinary scholarship dedicated to understanding humor.
In particular, humor scholarship's core concept - incongruity (the juxtaposition of two or more unlikely ideas) - helps to calibrate an optimal balance of First Amendment concerns and the values of human dignity, property, and honor in defamatory humor cases.



Assistance for United States courts also comes from an unlikely source - Australia. Australian cultural emphasis on humor and plain speaking as well as its lack of a formal First Amendment enables Australian case law to provide meaningful guidance both affirmatively and negatively, as a foil for identifying what analysis is not well suited to United States common law and constitutional traditions. Download the article from SSRN at the link.

Call For Papers

Posted: 30 Nov 2010 07:36 AM PST

From McGill University's IPLAI

International Conference on Arts, Ideas, and the Baroque


Hosted by the Institute for the Public Life of Arts and Ideas, McGill University

in collaboration with the Montréal Baroque Festival

24-26 June 2011



2011 Theme: Deadly Sins



CALL FOR PAPERS

This conference seeks to examine the 'baroque' in the early modern world as well as its echoes and resonances across time. Defined differently by different academic traditions, the notion of the baroque remains a point of reference as well as contention, and a signifier of cultural legacy as well as innovation – as in the notion of the 'neo-baroque'. We propose to investigate the rich artefacts, representations, and influence of the era—particularly around the theme of Deadly Sins (also the theme of the 2011 Montréal Baroque Festival to be held in conjunction with this conference). We invite papers which address interdisciplinary scholarship and make new connections between research fields. Proposals from scholars working in all disciplines might address, but are not limited to, the following fields:





Musicology and Music Performance

Law and Legal History

Social and Cultural History

Literature

Architecture and Design

Theatre and Performance

Art History

Religious Studies

History of Science and Medicine

Philosophy





Proposals for complete panels as well as for individual papers in English or French are welcome. Researchers are invited to submit abstracts of no more than 250 words, and brief (2 page) cvs to: baroque@mcgill.ca. Deadline for submissions: 5 February 2011.

IPLAI is a new undertaking by McGill University's Faculties of Arts, Education, Law, Management and Religious Studies and the Schools of Architecture and Music. Its goals are to foster collaborative, interdisciplinary scholarship and teaching in the humanities, to reinvigorate the place of humanities scholarship in public discourse, and to examine the life of ideas across time.



The Montreal Baroque Festival is a unique festival celebrating the creativity, expressiveness and inspiration of music-making in the seventeenth and eighteenth centuries. The chapels, crypts, chateaux, cafes, cellars, attics, gardens and streets of Old Montreal are brought to life with operas, oratorios, recitals, improvisations and jam sessions performed by an international roster of brilliant musicians.



Conference Registration Fee: $60 (faculty); $25 (students)

Online registration will open March 2011

http://www.mcgill.ca/iplai/
http://www.montrealbaroque.com



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