Law & Humanities Blog


Storytelling For Lawyers

Posted: 02 Dec 2013 09:45 AM PST

Storytelling For Lawyers, a new publication from Philip Meyer, Vermont Law School.

From the Oxford University Press website:

Cover for  Storytelling for Lawyers

Storytelling for Lawyers

Philip Meyer

  • Good storytelling is a necessity for trial lawyers, and this book explains how to do it
  • Author is a law professor who also holds a masters degree in creative writing from the University of Iowa Writers Workshop
  • Breaks narratives down into their fundamental parts to show how they work
  • Will be of interest to any lawyer struggling to craft a compelling story



Religious Symbols and Constitutional Meaning

Posted: 02 Dec 2013 10:03 AM PST

Frederick Mark Gedicks, Brigham Young University Law School, and Pasquale Annicchino, European University Institute, Robert Schuman Centre for Advanced Studies (RSCAS), have published Cross, Crucifix, Culture: An Approach to the Constitutional Meaning of Religious Symbols. Here is the abstract.

In the United States and Europe the constitutionality of government displays of confessional symbols depends on whether the symbols also have nonconfessional secular meaning or whether, at least, the confessional meaning is somehow absent. Yet both the United States Supreme Court (USSCt) and the European Court of Human Rights (ECtHR) lack a workable approach to determining whether secular meaning is present or confessional meaning absent.
The problem is that the government can nearly always articulate a possible secular meaning for the confessional symbols that it uses, or argue that the confessional meaning is passive and ineffective. What matters, however, is not the possibility that secular meaning is present or confessional meaning absent, but whether whether this presence or absence is historically and culturally authentic. Courts largely ignore this, routinely appealing to history and culture to justify government use of confessional symbols without undertaking a serious investigation of either history or culture.
Drawing on the work of C.S. Peirce, we propose that courts ask three successive questions in religious symbol cases: (1) Is the ordinary meaning of the symbol confessional or otherwise religious? (2) Does the immediate context in which the symbol is displayed suggest a possible historical, cultural, or other secular meaning? (3) Is this alternate secular meaning authentically present and genuinely recognized in the history and culture of the place where the symbol is displayed?
We illustrate this approach with Salazar v. Buono, in which the USSCt upheld government display of a Christian cross, and Lautsi & Others v. Italy, in which the ECtHR deferred to Italian court decisions upholding government display of a Catholic crucifix. While the USSCt in Buono and the Italian courts in Lautsi imagine conceivable nonconfessional meanings for the confessional symbol at issue, neither meaning can be found in American or Italian history or culture. In Lautsi, thjerefore, the ECtHR ends up deferring to a nonexistent Italian "tradition."
Judical denial of obvious confessional meaning and invention of substitute secular meanings for confessional symbols betrays a cultural schizophrenia: Majoritarian religions rail against the secularization of culture and its subversion of belief, yet they insist that their confessional symbols remain at home in this culture. But confessional symbols no longer fit in mainstream culture as confessional — hence their redefinition as secular, even and especially by the majoritarian religions that use them. Ironically, judicial secularization of these symbols to validate their use by government is likely to accelerate and entrench the very secularization that such religions deplore.
Download the paper from SSRN at the link. Via Legal Theory Blog.

Irish-American Politics and Justice

Posted: 02 Dec 2013 07:50 AM PST

Saran Ramshaw, Queen's University, Belfast, has published Improvising (Il)Legality: Justice and the Irish Diaspora, N.Y.C., 1930-32, at 3 Irish Journal of Legal Studies 90 (2013). Here is the abstract.

The Seabury Commission, 1930-32, probed allegations of corruption made against, amongst others, the Irish-American Mayor of New York City, James J. 'Jimmy' Walker, and the Irish-dominated Tammany Hall, the Democratic political machine that had supported Walker. Taking the Seabury inquiry as its focus, this article explores these allegations from the perspective of Critical Studies in Improvisation (C.S.I.) fused with postcolonial critique. Improvisation, in accordance with C.S.I. principles, is not a lawless or extempore event; it is, instead, lawful, or full of law. The laws of improvisation may appear impenetrable to those unfamiliar with the practice. However, when read through a hibernocentric postcolonial perspective, their meaning and form become more understandable. As will be argued in this article, diasporic communities are inherently improvisatory; that is, they utilise improvisational techniques to help adapt and respond to new situations and social contexts. To be queried is whether the law and politics practiced by Tammany and Walker, taken together, constituted a markedly Irish approach to justice, one that entailed not scripted or planned illegality, as was alleged by Judge Seabury, but improvisations on Anglo-Protestant law as a response to the displacement of and discrimination against the Irish Diaspora in early twentieth century America.
Download the article from SSRN at the link.

This Samuel Seabury is descended from an earlier Samuel Seabury, who was an Episcopalian bishop, political activist during the American Revolution, and son of yet another Samuel Seabury. Read about him in Paul Victor Marshall, One, Catholic, and Apostolic: Samuel Seabury, and the Early Episcopal Church (Church Publishing, 2004). Under the pseudonym A. W. Farmer, Seabury wrote political tracts that figured in revolutionary thought. See Benjamin H.
Irvin, Clothed in Robes of Sovereignty: The Continental Congress and the People Out of Doors (Oxford, 2011).

More about his descendant, the judge, in Herbert Mitgang's The Man Who Rode the Tiger: The Life and Times of Judge Samuel Seabury (Fordham University Press, 2d ed., 1996).

Law and Humanities Table of Contents, Volume 7, Number 2 (2013), Now Available

Posted: 02 Dec 2013 10:04 AM PST

From Jo Ledger of Hart Publishing:

HART PUBLISHING ANNOUNCEMENT Law and Humanities
Volume 7. Number 2. 2013 The 2nd issue of the 2013 volume of Law and Humanities is now available.
 ONLINE ACCESS: To access this issue online, read the abstracts and purchase individual papers please click here. SUBSCRIPTIONS: For further information about Law and Humanities, please click here. CONTENTS EditorialFree to view – please click here ArticlesForensic Representations of Identity: The Imago, the X-Ray and the Evidential ImagePiyel Haldar
Abstract: The invention of photography in the nineteenth century is generally considered to have affected a sea change in evidential reasoning and in the courts' relationship to technology. This paper argues that in the use of fact x-rays provided a more revolutionary change in the forensic and trial processes. In order to analyse this more thoroughly, radiography needs to be situated in the following contexts. First the genealogy of the legal image and its relationship to death has to be examined. Second, the x ray has to be considered as part of a process that requires of the forensically endowed viewer something other than what was required of observers of the legal theatre.
Click here to purchase article The Deception of Cadence: Toward a Dissonant LawM Paola Mittica
Abstract: The use of musical metaphor is a recurrent theme in the history of political thought, but it also shows up in jurisprudence, where in recent years it has been coming into increasingly frequent use, taking on a particularly prominent role in Law and the Humanities. This article analyses the nexus between harmony and dissonance as a metaphor for the relation between system and complexity, monism and pluralism, and inclusion and exclusion in connection with legal discourse, or between law and 'non-law'. Ultimately, the goal is to have a better understanding of the relation between social complexity and legal regulation, and the question, in that regard, is whether the intelligence of the musical arts can prove useful to the intelligence of the legal arts.
Click here to purchase article Representations of Governance in Sixteenth- and Seventeenth-Century Europe: The Iconography and Dramatic Presentation of the Sovereign RulerChristopher Harding and Nicola Harding
Abstract: It is conventional wisdom in the history of international law and relations that during the sixteenth and seventeenth centuries patterns of governance in Europe were transformed, a complex and multi-layered system of political authority being superseded by a more unified structure of exclusive authority vested in the form of the sovereign state. The outcome of this process is easier to appreciate than the means of its achievement. How did such ideas about governance take root and consolidate into a consensus among political leaders across Europe? The discussion in this paper examines a range of media which may have been significantly exploited in early modern European society for the dissemination of argument and ideas about governance. Two major forms appeared to be utilised for this purpose: visual art, with its rich iconographical content; and various types of dramatic presentation capable of communicating with both elite and popular audiences.
Click here to purchase article Killing the Queen: 'It lawfully maie be done'Dominique Goy-Blanquet
Abstract: The case of Mary Stuart offers a privileged view of the roles played by the Inns in the years leading to her trial. It was argued at length in pamphlets, treatises, petitions, and occupied a major part in the proceedings of several parliamentary sessions. Closely connected with the issue was the "liberty of the House", freedom of speech. Among numerous faults, Mary was "An enemy to England", and a foreigner: whether this could bar her or not from inheriting the crown made a moot point, discussed in Plowden's crucial treatise on the succession. Various incidents suggest that news and arguments circulated from Commons to commons. That the legal issues must have made a fascinating theme for pro et contra debate appears in Queen Elizabeth's complaint that "yow lawiers are so nice and so precise in sifting and scanning every word and letter, that many times yow stand more upon forme then matter, upon syllabs then the sense of the lawe". The lawyer who had given her and his fellow MPs assurance that the transgressive deed "lawfully maie be done" was dead before the actual trial, but his colleagues who had repeatedly demanded the head of Mary brought the procedure to its required conclusion.

Literature in Law: Exceptio Artis and the Emergence of Literary FieldsRalf Grüttemeier and Ted Laros
Abstract: This article explores the possibility of examining literary trials from a field theoretical perspective. It argues that literary trials can function as a barometer of ideas about institutional autonomy of the literary field and about conceptions of literature. Efforts to answer such questions can profit from the currently growing digitalisation of historical press data. The 1919/1920 pornography trial concerning the Dutch translation of Henri Barbusse's novel L'enfer is used as a case study to explore whether the rise of the concept of exceptio artis can be seen as a decisive step in the recognition of the literary field by the field of power, possibly not only in the Netherlands.
Click here to purchase article
Pigoons, Rakunks and Crakers: Margaret Atwood's Oryx and Crake and Genetically Engineered Animals in a (Latourian) Hybrid WorldJay Sanderson
Abstract: In this article I develop a concept of hybridity for genetically engineered animals by referencing Bruno Latour in my reading of Margaret Atwood's Oryx and Crake (2003). While Oryx and Crake is full of hybrids, it (like many other novels incorporating hybrids) depicts a particular kind of hybrid: a hybrid that is a corporeal mixture of animal-animal, animal-human or animal-machine. Informed by Bruno Latour's theory of hybridity—a theory that weaves together all sorts of human and material actors—this article messes up Atwood's hybrid world, and brings to the fore the mixture of actors that allow pigoons, rakunks, wolvogs and Crakers to exist. In so doing this article proposes a hybrid reading of genetically engineered animals that takes individual actors seriously, but by the same token, does not neglect the messy and contingent weaving together of biotechnology, politics, attitudes, practices, values, commerce and law.
Click here to purchase article
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