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Women In Nineteenth Century English Literature: A New Book

Posted: 27 Nov 2012 02:09 PM PST

New from Oxford University Press:

Hilary M. Schor, Curious Subjects: Women and the Trials of Realism (December, 2012). $65.00.

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Below is a description of the book's contents from the publisher's website.

While nineteenth-century literary scholars have long been interested in women's agency in the context of their legal status as objects, Curious Subjects makes the striking and original argument that what we find at the intersection between women subjects (who choose and enter into contracts) and women objects (owned and defined by fathers, husbands, and the law) is curiosity. Women protagonists in the novel are always both curiosities: strange objects worthy of our interest and actors who are themselves actively curious--relentless askers of questions, even (and perhaps especially) when they are commanded to be content and passive. What kinds of curiosity are possible and desirable, and what different kinds of knowledge do they yield? What sort of subject asks questions, seeks, chooses? Can a curious woman turn her curiosity on herself?" Curious Subjects takes seriously the persuasive force of the novel as a form that intervenes in our sense of what women want to know and how they can and should choose to act on that knowledge. And it shows an astonishingly wide and subtly various range of answers to these questions in the British novel, which far from simply punishing women for their curiosity, theorized it, shaped it, and reworked it to give us characters as different as Alice in Wonderland and Dorothea Brooke, Clarissa Harlowe and Louisa Gradgrind.

Schor's study provides thought-provoking new readings of the most canonical novels of the nineteenth century-- Hard Times, Bleak House, Vanity Fair, Daniel Deronda, among others--and pushes well beyond commonplace historicist accounts of British culture in the period as a monolithic ideological formation. It will interest scholars of law and literature, narratology, and feminist theory as well as literary history more generally.
Thanks to Simon Stern of the University of Toronto Faculty of Law and Department of English for alerting me to this title.

Early American Lawyers and Their Books

Posted: 27 Nov 2012 07:55 AM PST

Alison L. LaCrois, University of Chicago Law School, has published The Lawyer's Library in the Early American Republic in Subversion and Sympathy: Gender, Law, and the British Novel in the Eighteenth and Nineteenth Centuries (Martha C. Nussbaum and Alison L. LaCroix, eds., Oxford University Press, 2013).

This essay appears in a volume titled Subversion and Sympathy: Gender, Law, and the British Novel in the Eighteenth and Nineteenth Centuries (Martha C. Nussbaum and Alison L. LaCroix, eds.) (forthcoming, Oxford University Press, 2013). The essay explores the role that fiction played in the early republican project of building American nationhood. Many eighteenth- and nineteenth-century American statesmen and jurists – including such prominent thinkers as John Adams, Thomas Jefferson, John Marshall, and Joseph Story – were avid readers of fiction. The vast majority of the novels they read were written by English authors; moreover, many of those authors were women. For example, among Marshall's surviving papers is a letter in which he chided Story for not including Jane Austen among the great novelists that Story listed in an 1826 address to Harvard's Phi Beta Kappa chapter. Story had, however, cited Maria Edgeworth, Fanny Burney, and Ann Radcliffe in his address, and his son later recalled that his father had enjoyed Austen's novels. "This is emphatically the age of reading," Story told his Phi Beta Kappa audience. And, he added, "[m]an no longer aspires to an exclusive dominion in authorship." For founding-era thinkers such as Adams and Jefferson, novel-reading provided a way for Americans to participate in transatlantic culture and to hone a republican moral sensibility. For the early-nineteenth-century jurists Marshall and Story, fiction offered an opportunity to engage with emotions such as sympathy and to participate in a public sphere that brought men and women together, as both authors and readers, in a conversation that connected politics, law, and literary culture. These producers of legal theory were also consumers of fiction, gentlemen of letters who immersed themselves in female novelists' work not as a means of escape, but because those novels offered insights into what they regarded as crucial political questions of individual sentiment and national character.

Download the essay from SSRN at the link.

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