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Law & Humanities Blog

Posted: 02 Aug 2011 01:23 PM PDT

More from NPR's Crime In the City series here. Today's featured author: George Pelecanos (Washington, DC). Authors discussed on prior shows: Archer Mayor (Brattleboro, Vermont); Marcia Muller (San Francisco); Naomi Hirahara (Los Angeles); Ridley Pearson (Sun Valley, Idaho); Janet Evanovich (Trenton, New Jersey); Diane Wei Liang (Beijing, China); Philip Kerr (Berlin, Germany); Cara Black (Paris, France); and Mark Billingham (London, England).

More authors and cities here.

Criminal Law In "Othello"

Posted: 02 Aug 2011 12:47 PM PDT

Richard H. McAdams, University of Chicago Law School, has published Vengance, Complicity and Criminal Law in Othello, in Shakespeare and the Law: A Conversation Among Disciplines and Professions (Martha Nussbaum and Richard Streier eds.; University of Chicago Press, 2012). Here is the abstract.

Criminal law offers an interesting frame for examining Othello, while the play offers an interesting thought experiment for law. First, the play shows the virtue of legal processes by the tragedy its absence produces. In Act V, Othello refuses to accord Desdemona the very procedures that vindicated him of a false charge in Act I. Second, Othello brilliantly illustrates some perpetually vexing problems in the doctrine of complicity. Through Iago, the play vividly shows that an encourager of crime can be more responsible for its occurrence – more monstrous – than the one he encourages. Third, I use English law of the late 16th century to explain certain puzzling choices Iago makes. Iago avoids being present at the scene of Desdemona's killing and dissuades Othello from using poison in order to preserve his status as an accessory, which allows him to avoid criminal liability for Desdemona's death under a variety of scenarios. Iago's brilliant deviousness allows him to manipulate law as well as people.

The full text is not available from SSRN.