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Theory of Sovereignty In the Hebrew Bible

Posted: 20 Oct 2010 08:14 AM PDT

Geoffrey P. Miller, New York University School of Law, has published Sovereignty and Conquest in the Hebrew Bible, as NYU School of Law, Public Law Research Paper No. 10-61. Here is the abstract.

This article examines the Hebrew Bible's theory of sovereignty with special reference to the book of Joshua. The author conceives of sovereignty as the exclusive and absolute control over territory. The sovereign is "all Israel" – the biblical analogue to "we the people." The territory is the land promised to the Patriarchs and partially conquered by Joshua in the war of conquest. Israel's title to this territory is established vis-à-vis foreign nations by boundary agreement (Aram), partition (Ammon and Moab), abandonment (Edom), and renunciation (Egypt); its right to dispossess the prior inhabitants is based on theories of conquest, capacity, appropriation, grant, promise, purchase and contract. Israel's control over territory is explored in narratives describing the allocation of the Promised Land. The author's approach is pragmatic rather than programmatic, stressing the value of fair procedures and recognizing arguments for distributive justice based on merit, equality, productivity, expectations and need. The author argues that a property distribution, even if fair ex ante, must also be accepted as reasonable ex post.

Download the full text from SSRN at the link.

Documentary Films, Law and Justice

Posted: 20 Oct 2010 08:09 AM PDT

Cynthia D. Bond, The John Marshall Law School, has published Documenting Law: Reality & Representation on Trial. Here is the abstract.

Documentary films frequently address issues of social and political injustice; thus, however indirectly, implicating law as their subject. Documentary film and legal process also frequently share formal similarities as they both seek to reconstruct actual events through representational techniques. Thus, notions of the truth are deeply overdetermined in documentary films about law. To most lay spectators, such documentaries are truth-seeking systems (documentary film) depicting a truth-seeking system (law). Thus, it is particularly useful to analyze the impressions of law lay spectators gain (or confirm) from these films since, given the truth claims of documentaries, spectators may more fully trust images of law in them than in fiction film. Documentaries engage different strategies in ignoring, negotiating, or acknowledging the overdetermined sources of truth they contain. First, many documentaries mount a competing narrative of truth, contesting the ability of legal processes to adequately find the truth (a dynamic this article dubs "Film vs. Law"). Alternatively, documentaries may contest law's truth claims without fully supplanting them with their own purportedly superior access to truth ("Film and Law"). These films both critique the truth claims of the legal process while acknowledging the inevitably open-ended and provisional nature of the events they reference. Finally, documentaries may underline the shared representational techniques of law and film to reveal the vexed nature of accessing the truth in both realms ("Film = Law"). These three documentary strategies are defined in part by the stylistic choices the films make, and by the on- and off-screen performance of the filmmaker's relationship with his or her subject. Yet regardless of a particular documentary film style, the notion of the truth of depicted events is an inescapable element of the documentary narrative.

Download the full text from SSRN at the link.