Law & Humanities Blog |
- President Proposes Richard Weisberg For Administrative Post
- Visualizing Law
- Legal Narrative and Statuary
- Hay Festival Coverage
President Proposes Richard Weisberg For Administrative Post Posted: 31 May 2011 09:07 AM PDT President Barack Obama is naming Richard H. Weisberg to the Commission for the Preservation of America's Heritage Abroad. Professor Weisberg is the founding and current President of the Law and Humanities Institute. Below is an abbreviated biography, taken from a White House press release. Richard H. Weisberg is the Floersheimer Professor of Constitutional Law at the Benjamin N. Cardozo School of Law, Yeshiva University. He began his teaching and scholarly career as Assistant Professor of French and Comparative Literature at the University of Chicago, and then went on to practice and teach law. In 2009, he was awarded the Legion of Honor by the French government for his work, together with US State Department and French governmental officials, in providing restitution from France to victims of the wartime Vichy regime. A recipient of Guggenheim, ACLS, and Rockefeller Foundation fellowships, he is the author of four books including Vichy Law and the Holocaust in France; Poethics; and The Failure of the Word. He is the founding and current president of the Law & Humanities Institute and founding and general editor of the periodical, Law and Literature. He received his J.D. from Columbia Law School, where he was an editor of the Law Review, and his Ph.D from Cornell University. |
Posted: 31 May 2011 08:59 AM PDT Congratulations to Professor Richard K. Sherwin, whose newest publication, Visualizing Law in the Age of the Digital Baroque: Arabesques and Entanglements (Routledge), forms part of the basis of what promises to be a spectacular international conference, Visualizing Law In the Digital Age, at Cardozo Law School, October 19, 2011, and is co-sponsored by Cardozo and New York Law School. In addition to Professor Sherwin, other speakers include Professor Amy Adler (NYU Law School), Professor Christian Biet (Universite de Paris X), Professor Christian Delange (Universite de Paris VII), Professor James Elkins (School of Art Institute, University of Chicago), Professor Peter Goodrich (Cardozo Law School), Professor Desmond Manderson (McGill University), Professor W. J. T. |
Posted: 31 May 2011 07:25 AM PDT
The statue of North Carolina Supreme Court Judge Thomas Ruffin that stands in a shadowy alcove at the entrance of a state court building in Raleigh was erected in 1915, toward the conclusion of a period of memorialization in the American South that was intended to reinforce in the public's imagination a coherent story of American history that began with the Founding Fathers, continued through Robert E. Lee and the narrative of the "Lost Cause," and worked to evoke "old family heritage, Anglo-Saxon supremacy, and military and political heroism." Although Ruffin's authorship of State v. Mann (1829), a case well known in its time (and now) for the stridency of the rhetoric with which Ruffin upholds the "power of the master," is nowhere mentioned in the documentation surrounding the creation and dedication of the statue, that connection would have been inescapable to a white audience, which would have been largely sympathetic. But an emancipationist counternarrative, which was never really silenced, survives as a reminder of the strength and resilience of generations of Americans committed to equal justice under the Constitution. A recognition of this counternarrative has the potential to change the way we view Ruffin's statue: the statement of the fixed and irrefutable power of law that it was no doubt intended to make unfolds into a conversation about the uses of law by the powerful. Such a shift of perspective, in turn, invites us into a broader reconsideration of our ways of navigating the contested terrain of public commemorative art.Download the article from SSRN at the link.
Posted: 31 May 2011 07:14 AM PDT
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